Presonus Studiolive 32 4.2 Ai Firmware Update
Refurbished – StudioLive 32.4.2AI
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Product Details
Buy Refurbished – StudioLive 32.4.2AI
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Factory Refurbished – This item has been 100% tested for proper operation and carries the total manufacturer’due south Express Warranty.
- 32 channels with Form A XMAX™ mic preamps, line inputs, analog inserts, and direct outputs for flexible connectivity
- Dual Fatty Channel indicate processing on all 32 input channels and all buses, with iv-band parametric EQ, compressor, gate with sidechainable Cardinal Filter, limiter with variable threshold, and more—all with A/B comparison
- Tightly integrated software library includes PreSonus Studio I® Creative person 2.6 DAW with StudioLive scene compatibility, Capture™2.1 live-recording software with Virtual Soundcheck mode, and Virtual StudioLive™-AI mixer-control software with Smaart Measurement Engineering science™, plus free StudioLive Remote-AI iPad® app and QMix™-AI iPhone®/iPod touch® aux mix app for wireless remote control.
- 24 dedicated mix buses for easy configuration: four subgroups, 14 analog auxiliary buses, four internal FX buses, and stereo main mix with mono sum
- 48-in/34-out FireWire s800 recording interface (24-bit, 44.ane and 48 kHz)
- Dedicated Ethernet port and USB two.0 port for included Wi-Fi LAN adapter for direct networking – no computer required!
Buy Refurbished – StudioLive 32.four.2AI
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Manufactory Refurbished – This item has been 100% tested for proper functioning and carries the full manufacturer’south Express Warranty.
The StudioLive™ 32.4.2AI introduces a new paradigm for digital mixing and recording solutions. Retaining the aforementioned surface-driven functionality that made StudioLive mixers famous, while adding even more than processing power, enhanced workflow features, and Active Integration™ engineering, it provides a networked, tightly integrated hardware/software ecosystem in which every touch indicate in the arrangement communicates to enhance each mixing chore.
The StudioLive™ 32.four.2AI offers wireless or wired connectivity to whatsoever standard router and networks with Macs, PCs, and iOS devices running the StudioLive AI Software Library, which features VSL-AI with Smaart® sound assay, specialized iOS apps, Capture 2.1, and Studio One Artist 2.vi DAW.
The mixer features an extensive analog patch bay for flexible connectivity; a 48×34 FireWire s800 interface for easy recording and virtual soundchecks; optional Thunderbolt, Dante, or AVB for flexible networking; extensive dual signal processing on every channel and bus, with A/B comparison (one Fat Aqueduct on every input and bus only wasn’t enough); and 24 defended mix buses for easy configuration. All-time of all, all controls are one-to-i, and then there are no layers to go lost in, and your principal mix is always at your fingertips.
SL-Dante-MIX
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Factory Refurbished – This particular has been 100% tested for proper operation and carries the full manufacturer’s Limited Warranty.
Refurbished – PRM1
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Factory Refurbished – This detail has been 100% tested for proper operation and carries the total manufacturer’south Limited Warranty.
StudioLive Mixer Dust Covers
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Manufactory Refurbished – This item has been 100% tested for proper operation and carries the full manufacturer’s Limited Warranty.
USB Wireless Adapter
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Factory Refurbished – This item has been 100% tested for proper performance and carries the total manufacturer’south Express Warranty.
Standard IEC Power Cable
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Factory Refurbished – This item has been 100% tested for proper operation and carries the full manufacturer’s Limited Warranty.
Figurer system requirements:
Below are the minimum calculator-system requirements for Virtual StudioLive-AI.
Mac
- Mac®
OS X 10.7.5 or afterwards - Intel® Cadre™ Duo processor (Intel Core 2 Duo or Core i3 or amend recommended)
- iv GB RAM (more than recommended)
Windows
- Windows®
vii x64/x86 SP1, Windows 8 x64/x86 - IntelCore Duo or AMD Athlon™ X2 processor (Intel Cadre ii Duo or AMD Athlon X4 or better recommended)
- 4 GB RAM (more than recommended)
Mac and Windows Systems
- FireWire S800 (IEEE 1394b) port
- Ethernet port recommended
- Internet connection recommended
- DVD-ROM bulldoze
- Internal or external 7200 RPM storage bulldoze highly recommended
- Monitor with 1280×800 resolution
The minimum system requirements may differ for DAWs other than Studio One®. Delight check the requirements for your DAW of option with its manufacturer.
Notation that the speed of your processor, amount of RAM and size and speed of your hard bulldoze will greatly bear upon the overall operation of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (point delay) than you might experience while monitoring audio or MIDI signals. Monitor resolution for both PC and Mac should be no lower than 1280×800 pixels.
StudioLive™ 32.4.2AI / 24.four.2AI / 16.4.2AI |
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Microphone Preamps (XLR Counterbalanced) |
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| Blazon | XLR Female, Counterbalanced |
| Frequency Response to Direct Output | 20 Hz to 40 kHz ±0.five dBu |
| Frequency Response to Chief Output | 20 Hz to 20 kHz ±0.five dBu |
| Input Impedance (Balanced) | ane kΩ |
| THD to Direct Output | < 0.007%, +4 dBu, 20-20 kHz, unity gain, unwtd |
| THD to Main Output | <0.005%, +4 dBu, xx-20 kHz, unity gain, unwtd |
| EIN to Direct Output | +125 dB unwtd, +130 dB A-wtd |
| S/Due north Ratio to Directly Output | 105 dB |
| S/N Ratio to Main Output | 94 dB |
| Common Mode Rejection Ratio | 65 dB |
| Gain Control Range | -15 dB to +65 dB (± 1 dB) |
| Maximum Input Level (unity gain) | +22 dBu |
| Phantom Power | +48 VDC |
Line Inputs |
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| Blazon | ¼” TRS Female, balanced mono |
| Frequency Response to Direct Outputs | 10-forty kHz, 0 / -0.v dBu |
| Frequency Response to Main Outputs | 20-20 kHz, ±0.v dBu |
| Input Impedance | 10 kΩ |
| THD to Direct Output | <0.007%, +4 dBu, 20-xx kHz, unity gain, unwtd |
| THD to Main Output | <0.005%, +4 dBu, 20-xx kHz, unity gain, unwtd |
| S/N Ratio to Directly Output | 105 dB |
| South/North Ratio to Main Output | 94 dB |
| Gain Control Range (±1 dB) | -20 dB to +20 dB |
| Maximum Input level (unity proceeds) | +22 dBu |
Tape Inputs |
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| Blazon | RCA Female, unbalanced (stereo pair) |
| Maximum Input Level | +22 dBu |
Auxiliary Inputs |
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| Type | ¼” TRS Female, balanced (2 stereo pairs) |
| Maximum Input Level | +22 dBu |
Main Outputs |
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| Type | Male person, balanced (stereo pair); ¼” TRS Female, balanced (stereo pair); XLR Male, balanced (mono) |
| Rated Output Level | +24 dBu |
| Output Impedance | 100Ω |
Aux Outputs |
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| Type | ¼” TRS Female, balanced (mono) |
| Rated Output Level | +18 dBu |
| Output Impedance | 100Ω |
Subgroup Outputs |
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| Type | ¼” TRS Female, balanced (mono) |
| Rated Output Level | +18 dBu |
| Output Impedance | 100Ω |
Tape Outputs |
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| Blazon | RCA Female, unbalanced (stereo pair) |
| Rated Output Level | +xviii dBu |
| Output Impedance | 100Ω |
Control Room Outputs |
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| Type | ¼” TRS Female person, balanced (stereo pair) |
| Rated Output Level | +18 dBu |
| Output Impedance | 100Ω |
System Crosstalk |
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| Input to Output (Ref = +4 dBu, 20 Hz-xx kHz, unwtd) | -xc dBu |
| Adjacent Channels (Ref = +four dBu, 20 Hz-xx kHz, unwtd) | -87 dBu |
Racket Gate / Expander |
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| Threshold Range | -84 dB to 0 dB |
| Attack Time | 0.02s to 500 ms / 0.v ms |
| Release Fourth dimension | 0.05s to 2s |
| Expander Attenuation Range | 2:1 |
| Gate Attenuation Range | -84 dB to 0 dB / ∞ |
| Key Listen Filter | 2nd-order resonant bandpass; Q=0.7; OFF, 40 Hz-16 kHz |
Limiter |
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| Threshold | -56 dB to 0 dB / -28 dBFS |
| Ratio | ∞:ane |
| Set on | twenty ms |
| Agree | 10 ms |
| Release | 20 ms |
Compressor |
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| Threshold Range | -56 dB to 0 dB |
| Ratio | 1:1 to 14:1 |
| Attack Time | 0.2 ms to 150 ms |
| Release Time | forty ms to 1000 ms |
| Motorcar Set on and Release | Assault = ten ms, Release = 150 ms |
| Curve Types | difficult and soft knee |
Parametric EQ |
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| Type | 2d-order shelving filter (Q = 0.55) |
| Low (Lowpass or Bandpass) | 36 to 465 Hz, ±fifteen dB |
| Low Mid | 90 Hz to 1.2 kHz, ±xv dB |
| High Mid | 380 Hz to 5 kHz, ±15 dB |
| Loftier (Highpass or Bandpass) | 1.4 kHz to 18 kHz, ±15 dB |
| Q | 0.1 to 4 / xvi.4.2AI*: Depression Q= 0.55, Hi Q=ii.0 |
Graphic EQ |
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| 31-Band 1/3rd Octave Controls | Curve-plumbing fixtures algorithm |
| Gain/Attenuation | ±xv dB |
Digital Audio |
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| ADC Dynamic Range (A-wtd, 48 kHz) | 118 dB |
| DAC Dynamic Range (A-wtd, 48 kHz) | 118 dB |
| FireWire | s800, 800 Mb/s |
| Internal Processing | 32-bit, floating point |
| Sampling Charge per unit | 44.ane, 48 kHz |
| A/D/A Bit Depth | 24 |
| Reference Level for 0 dBFS | +xviii dBu |
Clock |
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| Jitter | <twenty ps RMS (20 Hz – 20 kHz) |
| Jitter Attenuation | >60 dB (1 ns in ≈ 1 ps out) |
Power/Environmental |
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| Connector | IEC |
| Input-Voltage Range | 100 to 230V, l-sixty Hz |
| Power Requirements | 200W |
| Temperature Range | 0˚ to forty˚ Celsius / 32˚ to 104˚ Fahrenheit |
Physical (32.4.2AI / 24.42AI /16.4.2AI) |
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| Length | 21.31″ (54.thirteen cm) / 21.31″ (54.13 cm) / 22.35″ (58.6 cm) |
| Width (chassis simply) | 31.58″ (80.21 cm) / 25.19″ (63.98 cm) / 17.22″ (43.74 cm) |
| Maximum Height | 7.02″ (17.82 cm) / 7.02″ (17.82 cm) / 6.9″ (17.53 cm) |
| Weight | 50 lbs. (22.68 kg) / xxx lbs. (13.6 kg) / 23 lbs. (10.43 kg) |
*Fully variable through VSL-AI and SL Remote-AI.
Please see complete mechanical drawings when building a custom rack, desk, or case.
As a commitment to constant comeback, PreSonus Audio Electronics, Inc., reserves the right to change any specification stated herein, at whatsoever time, without notification.
Accessories
SL-Dante-MIX
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Factory Refurbished – This item has been 100% tested for proper operation and carries the full manufacturer’s Limited Warranty.
Refurbished – PRM1
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Factory Refurbished – This item has been 100% tested for proper operation and carries the full manufacturer’s Limited Warranty.
